Art Brussels/First Call
Apr 18 - 22, 2012


Artists:
Jo-ey Tang and Stuart Brisley

Exile's concept for a booth at Art Brussels/First Call 2012 combines the artists Stuart Brisley, born 1933, and Jo-ey Tang, born 1978. While coming from very different generations and backgrounds, both artists have in very distinct ways performative actions and interferences at the core of their practice.

For Stuart Brisley, his body and its physical, emotional and social limitations stand at the center of his practice. In his oevre he has pushed, extended and challenged his own body to reveal issues of alienation and social injustice. The selected vintage and contemporary works will focus on a kind of physical experiencability of the artist as the creator of the work.

Jo-ey Tang shifts his focus to the objects and their limitations themselves. For example, Tang lit a candle under a thin, long mirror piece which, over the course of the opening evening, broke the mirror. For his recent solo exhibition at Exile, he filled the gallery space with a 10-hour sound therefore making it impossible for the viewer to experience the full extent of the work. In a sense, his body is the instigator of a kind of 'invisible performance' that leaves the objects themselves as traces.

Please email the gallery for a PDF containing detailed information on all works at Art Brussels.


Read Review: Handelsblatt, May 2012

Read Review: Absolute Art Space, April 2012

Erik Niedling with Ingo Niermann: The Chamber
Artie Vierkant: Configure

2012
My safe reduction to form
Artissima 19: Aggtelek and Gwenn Thomas
Mateusz Sadowski: Leak
Kazuko Miyamoto: Live End Dream No
LISTE 17: TM Davy: Strange Fire
2012: Goran Tomcic and Ze Coeupel (Ambra
Pittoni and Paul-Flavien Enriquez-Sarano)

Stuart Brisley
Art Brussels/First Call: Jo-ey Tang and Stuart Brisley
Aggtelek: The Speaker
FORT: Lou

2011
Document Performance

TM Davy: Epithalamium
Jo-ey Tang: Like An Intruder
art berlin contemporary: Katharina Marszewski
Art Gwangju: Double Democracy
SummerCamp
LISTE 16: FORT: The Eye Balled Walls
Kathe Burkhart: Ubercunt. Selections
from The Liz Taylor Series and Other Works

Martin Kohout: Glare Inland, Quiet Attachment
Alida Müschen: Privat
Bob Mizer: Select Private Works 1942 - 1992

2010
Milk Wood #2: Katharina Marszewski
Andrew Kerton: LAND
MilkWood #1: Carola Deye: Jeansmangel
SummerCamp
Stuart Brisley: Measurement and Division
33 115 68
Anneli Schütz: Open Source
Heiner von Alberti: Es werden jetzt für die,
die noch gut sehen Minusbrillen ausgeteilt
Erik van der Weijde: Siedlung
Nadja Abt and Katharina Marszewski: Tabledance
Arises

2009
Astrid Proll: Der Zug aus Leipzig
Wieland Speck: Berlin Off/On Wall
Shelly Silver: Former East/Former West
Jack Smith: Cologne, 1974. Photographs
by Gwenn Thomas, Film by Birgit Hein
Bill Jacobson: American Trip 1974-1978
SummerCamp
Tom Holmes: Noisy Bottom
Howard McCalebb: Butterfly
Kazuko Miyamoto: String and Thread
Sol LeWitt: Walldrawing 815
Psychometry
KAISERIN Magazine Exhibition No 2.: Hors Les Murs

2008
Ad Memoriam
Al Baltrop: Pier Photographs 1975-1986
Straight To Hell



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Art Brussels/First Call
Jo-ey Tang and Stuart Brisley
Installationview
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Jo-ey Tang
Untitled
Custom-made rubber mat with traces of previous exhibitions, 192 x 41cm, unique, 2010
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Stuart Bisley
The Game
Unique vintage silver-gelatin print, 77.5 x 57.2 cm framed, 1969
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Art Brussels/First Call
Jo-ey Tang and Stuart Brisley
Installationview
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Art Brussels/First Call
Jo-ey Tang and Stuart Brisley
Installationview
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Art Brussels/First Call
Jo-ey Tang and Stuart Brisley
Installationview
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Stuart Brisley
Untitled
Masonite board, canvas, PVA, sand and pigment, 102 x 152 x 5 cm, 1959–1960
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Art Brussels/First Call
Jo-ey Tang and Stuart Brisley
Installationview
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Jo-ey Tang
Negotiator
Fragment of glass vase with evaporating 1968 Huguenin Père & Fils Côte de Nuits-Villages Bourgogne and spill on concrete floor, 2012
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Stuart Brisley
Being and Doing
Film, B&W and colour, 58 minutes, 1984
(Filmstill: Performance by Sonja Knox: Temporary Unlinking,
N. Ireland, 1981)
Image 10 of 12
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Document Performance
Installationview
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Martin Kohout
Stick Class A 006
Powdered lacquered aluminum, various other materials
25x2x2 cm, 2011
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Stuart Brisley
Seeing Red, 1995
Tempera and acrylic on paper
Image 13 of 28


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Stuart Brisley
Louise Borgeois' Leg, 2002
Plaster, ironing board, wood
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Stuart Brisley
Residuary Study 2, 2005
Graphite on paper
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Stuart Brisley
Living structures, 1969
Performance
Camden Art Centre
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Stuart Brisley
Untitled, 1961
Assemblage
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Stuart Brisley
Bodyspace, Drawing and Context, 1978
Performance
Arnolfini Gallery, Bristol
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Stuart Brisley
The Cenotaph Project, 1987 -1991
Installation (with Maya Balcioglu)
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Stuart Brisley
Bathwork, 1973
Installation
Bonn, Germany
Image 20 of 28

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Stuart Brisley
Urbanscape in the Vicinityof the Burning man, 2008-2009
Graphite on paper
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Stuart Brisley
The Next Door (the missing subject)
unique vintage silver-gelatine print, 11.4x11.7cm
Ten days performance at PEER, London
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Stuart Brisley
Untitled, 1965
Mixed Media
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Stuart Brisley
Touching Glass, 1981
Installation/Performance
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Stuart Brisley
Members of the IRA in Dirty Disguises, 1994-1996
Tempera and acrylic on paper
Bristish Museum Collection
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Stuart Brisley
Cut, 2009
Video
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Stuart Brisley
Sweating the Hole, 1997-1999
Performance/Video
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Stuart Brisley
Untitled, 1960
Mixed media on board
Tate Collection
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Al Baltrop
Untitled
unique vintage silver-gelatine print, 11.4x11.7cm
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Al Baltrop
Untitled
unique vintage silver-gelatine print, 11.4x11.7cm
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Al Baltrop
Untitled
unique vintage silver-gelatine print, 11.4x11.7cm
Image 31 of 35


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Al Baltrop
Untitled
unique vintage silver-gelatine print, 11.4x11.7cm
Image 32 of 35


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Al Baltrop
Untitled
unique vintage silver-gelatine print, 11.4x11.7cm
Image 33 of 35


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Al Baltrop
Untitled
unique vintage silver-gelatine print, 11.4x11.7cm
Image 34 of 35


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Al Baltrop
Untitled
unique vintage silver-gelatine print, 11.4x11.7cm
Image 35 of 35


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